BLACKOUT theatre company
a local company with international horizons
REVIEWS
Woodbine Willie (2014)
"Spackman’s impeccable performance is quietly astonishing. The show is directed and adapted by Albert Welling, who assembles a number of rhyming dialect poems by the Rev. Geoffrey Studdert Kennedy, an Anglican priest who served in the trenches as a chaplain and later became an outspoken pacifist.
The achievement is impressive on more than one level. For starters, it’s a singular feat of memorization. For another, he manages to perform the material in a way that suggests narrative drive, even though the point is less to tell a story than to convey an experience. He handles the verse in a conversational, realistic style.
The simple set suggests a World War I dugout as the nameless narrator recounts the foolishness, folly and fatality experienced by foot soldiers. Some viewers may have to tune their ears to the Cockney dialect in the early going, but Spackman’s delivery and emotional demeanor are crisp and clear throughout.
Spackman, a member of the Blackout Theatre Company in Bedford, England, has performed in Kansas City before and his work has always been thoughtful and imbued with a dry sense of humor. This show, however, demands a singular level of discipline and the veteran actor shows that he is easily up to the task." Robert Trussell Kansas City Star

Her Big Chance (2013)
"Natalie Castka is wonderful as Lesley, energetic and engaging throughout the 50 minute monologue. Her unfaltering enthusiasm and naivety makes us both laugh with and sympathise for her.
Performed simply with just a few costume changes, Blackout Theatre Company, has created a show which has storytelling at its heart, and Natalie captures a sense of all the different characters in her story, while being the only person on stage." www.getreading.co.uk
"Natalie Castka is a fantastic performer, sharp, witty, engaging who captivates our attention for the duration of the performance. Monologues are punctuated by lightning quick costume changes, directed by David Baxter. Blackout Theatre are a Bedford based theatre company to look out for." Wendy Thomson www.femalearts.com
"On the bill Thursday night was “Her Big Chance” by Alan Bennett featuring actress Natalie Castka. It was a night of firsts for Castka: her first performance of the show, her first performance at the Invasion and her first performance in the U.S. You’d think that might give a performer the jitters, but Castka was relaxed, precise and charming onstage. It’s a crisp bit of writing, performed with style by Castka." Robert Trussell Kansas City Star

Contractions (2012)
"If you've ever felt the line between your work and personal life is too thin then you have to see Contractions. The ink-black comedy is wickedly funny but sickeningly twisted.
With superb acting we see the complete mental breakdown of Emma as she gives up everything to meet the demands of her cold, calm boss.
This play, written by Mike Bartlett and performed by Blackout Theatre, pushes contractual obligations to the extreme and made me feel scared to ever thinking about striking up a relationship with a co-worker.
You'll feel bad for laughing but you won't be able to help it." www.getreading.co.uk

September in the Rain (2011)
"The prolific John Godber is reputed to be the third-most-produced playwright in Britain after William Shakespeare and Alan Ayckbourn, but I don’t believe theatergoers in Kansas City had ever seen one of his works until the British Invasion 2011 and I have to say the Brits were a huge breath of fresh air. This a bittersweet play — sometimes very funny, ultimately hauntingly poignant. Baxter is a burly actor who inhabits Jack with no trace of artifice. Thomas is a short powerhouse who demonstrated an impressive emotional range in this piece.
It all falls on the actors in a play that requires little more than two chairs and some suitcases. And they take us on a journey from the young Jack and Liz visiting Blackpool in their first car to the aged couple who can no longer drive but travel to Blackpool by bus. At the Sunday afternoon performance, it was a trip worth taking." Robert Trussell Kansas City Star
